Save The Date! Open Studios 2021

Open Studio Tour 2021 is HERE!


Wow! It is wonderful to have the opportunity to share my Art space once again. I have been able to exhibit my work and interact with people with the Covid mandates in place through Galleries, exhibitions and group shows. This year Art will be displayed outside in our garden and among our trees of the forest. The Pit Fire is quiet for now as we are still in “fire season”, but is open to viewing along with demonstrations in painting with natural pigments, the processes I use, and the exciting advances made with my sculptures. You are welcome to tour the Art, ask questions, and enjoy the atmosphere.

New works stem from the theme “Unmasked: Becoming Visible.” The process of my art is one of being unmasked and becoming visible. I Am an Earth Artist and so I collect, study and prepare minerals from the earth to make paints for my artwork. These ochres are ground, mixed with walnut oil and softened beeswax, and the true colors become visible. Charcoal graces the panel as figures of ancient animals emerge along with signs and symbols of early languages. The ochres refine and define the whispers from the Ancestral winds that the earth has experienced before, a past that belongs to us.

Unmasked are the deeper meanings and mysteries of the Ancients which appear in the images that become visible. As a lifelong artist and my relentless interest in historical roots, digging into the ancient past has led me on an intriguing journey to uncover forgotten times, stories and paths. These mysteries reveal clear intelligence and spiritual practices through their art and signs; these become visible through inspirations that emerge from and into my Art. The signs of the past become the visible signs of now.

Please join me for the the 2nd and 3rd weekends in October
for Nevada County’s Open Studio Tour.


See you in the garden!

Chalkin’ It Up: Street Art Challenge Response

I put the challenge out there and YOU have answered! From Coast-to-Coast, street art has been flowing-in as folks all over are taking on the Street-Art-Challenge I put out last month. It’s been such a joy watching all the clips, photos, and videos of your artwork come in over the last month from YOUR STREET to MY STREET, offering such meaningful connection during this strange time. BIG Thank you to all who participated…here’s a compilation of a bit of what I received:

In more news…

Here is a video showing how I begin the process of a painting with mineral paints and gold leaf.

  1. I mix natural minerals from the earth with walnut oil along with softened natural beeswax.
  2. It is applied by using different tools: paintbrush, eco-friendly thinner, palette knife, or rib.
  3. In this painting, handmade and recycled papers are applied with a hand mixed plant based glue and left to dry thoroughly.
  4. The charcoal pencil is used to create a basic sketch of images on the surface.
  5. From here the background and foreground areas are worked with paints to create varying thicknesses of richness in color.

Finished Work is up at this online gallery:

Home Project, Osborn Woods Gallery, Nevada City, Ca. 

Home is Within: Home are the Stories from Within;
who I think and believe I am. 

RuggeJ_StoriesfromHome

From out of the Fire

Working with the guidance of artist, Deborah Bridges, who creates phenomenal figurative sculptures in clay, I have taken up the endeavor to bring the images from my paintings into 3-d.

After many experiments with different clay bodies and mineral test tiles, I am creating these images through the process of pit firing. I dug a small pit into one of our raised beds for easy access. Then I built an enclosed space around this pit with fire bricks, stacking them to keep heat inside but a bit of air to breathe. I collected various materials from our surrounding forests for fuel. I waited for cold rainy days to set-in and prepared the pit along with the bisque clay figurines. I added different layers of combustibles under, around, and over each sculpture to encourage variations in the burn process. The fire was kindled. It burned all day, smoking nicely after I placed a metal cover over the top. It smoked throughout the night into the wee morning hours when only heat from the lower part of the pit still felt warm. Then carefully each figure was removed. Aww, the thrill of it all! Such magic!

Statue from the pit

Meet Me in Italy!

I’ve been invited to teach in Italy!

This June,
join me for an Earth Art Immersion at

Cascina Rodiani – Green Hospitality

Click to Download form for Details

REGISTER on ‘Workshops’

 

Featured Artist: Nevada County Arts Council

We mostly see Jennifer in supportive roles, cheering on fellow artists, quietly shouting jen mixingout a cause, always in service to her community.

Still waters run deep, though, and a glimpse into her working life as an artist shows a serious, driven commitment to her work, and a passion for color and technique.

Tell us about your art form and medium, Jennifer.

I use oils on 2D wood surfaces. I collect natural minerals, grinding and mixing them with oil and cold wax then paint onto the canvas covered with different papers and textures. Using pallet knives, brushes, and charcoal pencils I draw and paint.

 

Many Hands Make a Masterpiece

It was a great time having our Art group come by to visit my studio. We laughed, had wonderful conversations, food and interacted to create an art piece together. We mixed red ochre, yellow ochre, and mica gold as our colors. We used recycled paper on a masonite board, 18 x 24″, for our canvas. Then we went paint-happy on our hands…with gloves, of course. What a bonding experience!

Voluptuous Venus

Inspiration comes in different ways. Recently I joined a group of artists, all women, to support our art endeavors and experiences.  From the conversations and my studies of ancient artworks, I found I was drawn to the small stone statues of voluptuous women, well-known as “Venus”. Soon thereafter, visions of this ancient beauty flooded my thoughts…I had to paint her.

I prepared the canvas, mixed my paints and began to work swept up in the ancestral past. Incorporated into the painting are symbols that not only were found in ancient cave etchings, but cross into roots of ancient written languages such as Egyptian, Phoenician, and Hebraic pictographs. Embedded into this painting are the meanings given by scholars today. The ancient relics of Venus are mostly regarded as fertility goddesses. Yet, women had a more valuable standing where, “Earth brings forth life, and Earth nourishes life, and so is the analogous powers of woman…the mother too of our second birth, our birth as spiritual entities.”¹ And this work conveys that…

Symbols

Woman — nurtures, sustains and maintains tender constant support and protection

Staff — teacher, guide, protection, moving forward (feminine)

Ox — power, strength, leadership (masculine). Together these symbolize authority.  “EL” is the Aleph, the first, and Lamed, the staff.

Position of figure — like the Hebraic “tsade” meaning side.  It is the trail, path or journey the individual takes.

¹Goddesses: Mysteries of the Feminine Divine by Joseph Campbell